The mutant nude takes the concept of a nude. It is what inspired this piece. I turned the subject into being unrecognisable – the only trait allowing one to recognise it is the breasts. Though they have instead turned into eyes. They are watchful of the audience- judging the audience for gazing upon the nude. It’s sort of- the way that many would judge a nude, but instead, the nude is judging you.
It takes the gaze from the audience and becomes that gaze. It’s looking directly at you. It is supposed to make you feel judged and watched. It turns you into the nude itself.
This is inspired by a firework show that I went to recently. The colours explode in the air, captivating the audience in the canvas of the dark sky. Yet many consider it a spectacle rather than an abstract art piece. When a firework is lit- it ejects so much colour in random strays of patterns into the sky. It’s beautiful; it might be loud, but in reality, with the sounds dulled- it becomes a peaceful array of colours scattering every terrace of the night sky.
It must inspire peace within those who view it, the peace that the night gives. The abstract is a firework; therefore, the abstract is its style.
Am I Dreaming, or Am I Dead? showcases an abstract aurora borealis landscape. It questions the intents which you see when you die. Is it beautiful, or is this just all a dream? Buy the artwork here.
If you think about it, dying is just like forever dreaming. Therefore this serves as a way to accept the coming death that we all face in that we dream our best lives on death. It’s not existential because who is to say that we simply don’t have another life or we disappear? Has anyone come back to tell us what death is yet?
For now, it’s simply a dream.
THE CONFRONTATIVE NUDE (2022)
It is the nude that confronts you. It asks the simple question, “why do you gaze”? Though the subject is male in this work, there has always been a gaze towards artistic nudes throughout history. This turns the tide; it turns the nude into the gazer, and you are now the subject of its gaze.
It intends to make the viewer feel what a subject of a nude painting would feel being gazed upon. If it is objectifying the audience- you are what the subject of the drawing wants. The subject is nevertheless unknown- apart from him being male. This is to emulate the idea of numerous people, who the subject doesn’t know, in a nude painting gazing onto the painting. Now this male gaze is on you, the viewer. How does it make you feel now that the tides have turned?
From my previous work on creating a nude and a flower drawing, I decided that it inspired me enough to make a coloured pencil drawing. Expanding upon the genderless nude idea, I again distorted the figure sufficiently so that it doesn’t represent a human- only slightly.
NUDE IN COLOR (2022)
The work intends to tell people that we’re human, no matter our differences. Removing the figure and replacing it with a space of colour; allows anyone to fill the gaps. It requires the viewer to accept this fact and move on. The colours are of beauty no matter how we look. Purchase it here.
DREAM FLOWERS (2022)
The dream flowers are not based on real flowers but rather ones created from an aesthetic idea. It’s rather personal, but these flowers blossom to remove anxiety for me; they bloom and show their colours when they don’t feel pressured or stressed.
These flowers are, to me, myself projecting my ideas onto the paper of what I want to be, just like these flowers. To bloom and not feel stressed, anxious or pressured. Their essence is to calm.
There have been many discussions on what is beautiful and what is not. It has led to this work being inspired mainly by the idea of the beauty standard throughout time. The figure has elongated limbs, its legs are almost taller and more voluminous than the torso, yet the body is muscular. This juxtaposes between two bodies, yet the tallness in the arms becomes skinny as they go lower. You can purchase this art here in print or the whole item.
It is as though time changes, and we gain different opinions on what’s beautiful. But the question this work asks is, “Who decides what we should look like?” and “Why can’t we just be who we want to be?”. Its existence references the countless amounts of influencers on the internet (and prior) who push these standards. These “standards” lead to toxic problems like eating disorders or anxiety.
The standards must be pushed away and broken down. The word standard is substantial and pushing; it’s a somewhat abusive word, to more exact. It’s something that forces you to be a certain way. Therefore, combating the standards can result in the destruction of force and the triumph of freedom and choice.
The piece’s medium is in ballpoint pen, but there is also a charcoal version (in A3) of this artwork. What started as an idea is seemingly stretching out into becoming a series of works targeting the beauty standards of today’s world.
WHAT IS REALLY THE BEAUTY STANDARD? (CHARCOAL)
This is the much more defined and thought-out version of the original sketch though this is my process behind turning a sketch into a painting. Thus muscles are more defined and dark, and the body morphs outwards.